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T4S ToneMatch mixer. Unprecedented control with portability. A small mixer without compromise. Take control of your music with the T4S ToneMatch mixer, an ultra-compact 4-channel interface designed for performers. Engineered with a powerful DSP engine and intuitive user control, the T4S offers studio-quality EQ, dynamics and effects. Sound great with integrated Bose ToneMatch processing and zEQ, especially when connected to a Bose L1 or F1 system for full end-to-end tonal control.
Play confidently on stage with the rugged T4S using its tactile controls, easy-to-read LED display and scene recall. The T4S; a true performer s companion. Elevate your performances with updated, studio-quality effects and advanced digital audio processing. Never run out of options with channel-independent EQ, dynamics, and effects. Get your perfect sound fast with Bose ToneMatch processing for natural-sounding vocals and instruments, while zEQ focuses your tone for effective adjustments on the fly.
When used with Bose L1 and F1 systems, the T4S mixer allows full end-to-end optimization of your sound. Seamless live control. The T4S integrates with your performance using illuminated, tactile controls and indicators for spontaneous sound adjustments, even on dimly-lit stages. Jump into settings with the fast-learning, intuitive control interface. Additional features like tap tempo delay, built-in chromatic tuner, and recallable scenes makes it easy to be ready to play.
The T4S is the ultimate on-stage companion for performing artists. High-density connectivity. For its size, the stereo T4S mixer gives you unprecedented connectivity with control. Four main channels feature high-quality audio preamps with XLR-combo jacks for microphones or instruments, and switchable phantom power. Additionally, the T4S offers two Aux sends, two Aux inputs, stereo balanced outputs, two ToneMatch outputs for digital audio with remote power, USB-A and -B for USB drive playback or PC Mac interfacing, a dedicated headphone jack, and TRS analog outputs.
Convenient gig-ready features. Rugged and ready to go, the T4S includes a protective magnetic cover and a ToneMatch cable for connecting directly to a Bose L1 Model II or L1 Model 1S system, providing a convenient single-cable connection for digital audio and power. A bottom insert allows you to use standard mounting accessories to keep the T4S within reach. POWERFUL AUDIO PROCESSING. Updated, studio-quality effects with advanced digital audio processing High-quality effects include compressor, limiter, de-esser, noise gate, chorus, flanger, phaser, tremolo, delay and reverb Bose ToneMatch processing for natural-sounding vocals and instruments zEQ focuses the sound of ToneMatch presets for effective adjustments on the fly Independent ToneMatch, EQ, dynamics and effects per channel Dedicated reverb on Aux 1 send, and a global shared reverb for use across all channels Master output EQ helps compensate for venue acoustics Full end-to-end tonal optimization when used with Bose L1 and F1 systems.
Unprecedented connectivity and control in a small digital stereo mixer Four high-quality audio preamps with XLR-combo jacks for microphones or instruments, and switchable phantom power Two ToneMatch outputs for digital audio and power Two Aux sends, and Two Aux inputs for additional sources USB-A and -B for USB drive playback or PC Mac interfacing Independent headphone and balanced TRS stereo outputs.
Tactile controls and indicators designed for live, on-stage use Fast-learning user interface Built-in tap tempo delay, chromatic tuner, and recallable scenes LED display and illuminated controls are easy to read and use, even on dimly-lit stages. Rugged enclosure with a protective magnetic cover to protect controls and connectors Includes a ToneMatch cable for connecting to a Bose L1 Model II or L1 Model 1S system for digital audio and power Bottom insert allows you to use standard mounting accessories to keep your T4S within reach.
4 combo XLR - 2 Aux USB port. 2 balanced TRS 2 Aux sends 2 ToneMatch digital audio outputs USB port Headphone. T4S ToneMatch mixer ToneMatch cable Cover. T4S ToneMatch mixer Reviews - page 2 y_2020, m_9, d_8, h_15 bvseo_bulk, prod_bvrr, vn_bulk_3. 12 cp_1, bvpage1 co_hasreviews, tv_0, tr_6 loc_en_US, sid_t4s_tonematch_mixer, prod, sort_ SortEntry order RATING, direction DESCENDINGSortEntry order SUBMISSION_TIME, direction DESCENDING clientName_bose bvseo_sdk, java_sdk, bvseo-2.
What is the T4S T8S ToneMatch mixer. Take control of your music with T4S and T8S ToneMatch mixers, compact 4- and 8-channel interfaces designed for performers. Engineered with powerful DSP engines and intuitive user controls, they offer studio-quality EQ, dynamics and effects processing. Play confidently on stage with these rugged ToneMatch mixers using tactile controls, easy-to-read LED displays and scene recall. ToneMatch mixers, the ultimate on-stage companions for performing artists.
What are the key features of the T4S T8S ToneMatch mixers. Powerful Audio Processing Elevate your performances with updated, studio-quality effects and advanced digital audio processing. Easy Live Streaming A Bose T4S ToneMatch mixer is the perfect audio interface for live streaming your performances on platforms like Facebook and Instagram Live. Connect easily to your Mac or PC with the onboard USB interface.
Then use the studio-quality microphone pre-amps, phantom power, EQ, dynamics, and effects to take control of your sound and bring your live stream to life. Seamless Live Control The T4S integrates with your performance using illuminated, tactile controls and indicators for spontaneous sound adjustments, even on dimly lit stages. High-Density Connectivity For its size, the stereo T4S mixer gives you unprecedented connectivity with control. Additionally, the T4S offers two aux sends, two aux inputs, stereo balanced outputs, two ToneMatch outputs for digital audio with remote powerUSB-A and -B for USB drive playback or PC Mac interfacing, a dedicated headphone jack, and balanced TRS analog outputs.
Convenient Gig-Ready Features Rugged and ready to go, the T4S includes a protective magnetic cover and a ToneMatch cable for connecting directly to a Bose L1 Model II or L1 Model 1S system, providing a convenient single-cable connection for digital audio and power. What are the differences between the T4S and the T8S. The T4S and the T8S both have the same compact interface, tactile knobs and advanced digital audio processing, yet the T8S gives you an expanded channel count with four more mic line inputs and a total of four Aux sends.
The T8S also includes an output meter to visually monitor your output level. The T4S can receive power and send digital audio to L1 Model II or L1 Model 1S products when using the included ToneMatch cable. The T8S comes standard with a universal power supply and does not offer a ToneMatch link. What are ToneMatch presets, and what are their benefits. ToneMatch presets are designed for specific instruments and microphones for use with the L1 Model 1S II system, S1 Pro or F1 system.
ToneMatch presets are available for each channel and instantly bring you closer to the true sound of your voice or instrument all at the touch of a button. When you select a proprietary ToneMatch preset for your microphone or instrument, you are tapping into a powerful technology, available only from Bose. What is the concept behind zEQ, and what are the benefits. Ordinary tone controls are generic by design High, Mid and Low controls are spread out across the entire musical spectrum. What is the benefit of the ToneMatch ports on the T4S.
When used with ToneMatch cables, connect the outputs of the T4S to one or two L1 Model 1S II units via their ToneMatch ports. Proprietary zEQ automatically shifts the range of these controls so that they correspond directly to the range of your voice or instrument. zEQ gives you more precise control over your tone, making it easy to fine-tune your sound. The user may enjoy the benefits of digital quality audio while alleviating the need for an additional power supply and excessive wiring when used with the L1 Model 1S II system.
Note this is for the T4S only, the T8S must be used with a power supply, although the T4S can be powered using the accessory ToneMatch power supply when not being used with an L1 system. What is the proper method for setting the gain on the T4S T8S ToneMatch mixer. Adjust the output volume of the source instrument to normal operating volume, or sing into the microphone using your loudest level. Make sure that the Master volume and the channel volume on the T4S T8S are set to 0. While playing your instrument audio sources as loudly as you would during a performance, turn the trim control on applicable channel of the T4S T8S clockwise until the signal clip indicator glows green.
If the indicator flashes red or glows steady red, turn the trim control counterclockwise to decrease the level until it s most always green. What are the two Aux outs on the T4S and four Aux outs on the T8S. These are direct output signals that can be taken pre or post mix and connected to a number of different devices including personal monitors, amplifiers or recording devices. Aux outputs accept TRS balanced cables. How many inputs does the T4S T8S ToneMatch mixer have, and what type are they.
Inputs 1 4 1 8 with the T8S are analog input channels with a combination input connector. This connector supports either balanced XLR audio cables or balanced TRS or unbalanced TS cables. Easily connect multiple sources with the added flexibility of accepting either balanced XLR audio cables or balanced or unbalanced cables. Both inputs are independent of each other and can have separate volumes and pans. Aux input channels 5 and 6 9 and 10 T8S only accept a balanced or unbalanced cable.
These stereo inputs are useful for connecting the outputs from PC audio interfaces, mixing consoles and keyboards synths. How can you verify the version of ToneMatch presets that are on the T4S T8S. Use the rotary encoder to select the global Prefs iq option excluir conta. Access the global preferences menu to confirm which interchangeable ToneMatch preset banks are loaded on the system.
What is the process for updating the T4S T8S with new ToneMatch presets. The T4S T8S is equipped with a USB interface that may be connected to a PC. Press the Menu button to select the menu list, then rotate the Select button to scroll through the list and highlight the ToneMatch description. com musicians for periodic updates on preset availability. What is a Bose scene. The T4S T8S each contain five Bose scenes, which have specific default processing configurations for various applications intended as a starting point in achieving great sound.
The T8S Bose scenes are Full Band, String Band, Stereo DJ, Electronic and Factory settings. The T4S Bose scenes are Singer songwriter, DJ playback, Drums and bass, Electric works and Factory settings. Bose Scene 01 Singer songwriter Bose Scene 01 is designed for singer songwriter playing keyboard or guitar, and sometimes accompanied by an MP3 track. Bose Scene 02 DJ playback Bose Scene 02 is designed for a DJ event or any audio playback need. This setup uses two microphones and either an MP3 player, mixer or laptop PC.
Bose Scene 03 Drums and bass Bose Scene 03 is set up for a bass guitar, kick drum, and either an MP3 player or laptop PC. Bose Scene 04 Electric works Bose Scene 04 is designed for electric and acoustic guitars, bass guitar and keyboard. Bose Scene 05 Factory settings This scene restores the T4 mixer to the settings it had when it left the factory. This setup also uses Aux 9 10 for backing tracks or set break music.
Bose Scene 01 Full Band Bose Scene 01 is designed for a full trio band with drums, bass, guitar and three vocal mics. Bose Scene 02 String Band Bose Scene 02 is designed for a string band with a hand drum, bass, guitars, mandolin and vocal mics. Bose Scene 03 Stereo DJ Bose Scene 03 is designed for a DJ to run multiple sources in a stereo configuration. It also has four vocal iq option excluir conta for any MC s or announcements.
Bose Scene 04 Electronic Bose Scene 04 is designed for an electronic band. Bose Scene 05 Factory settings This scene restores the T8S mixer to the settings it had when it left the factory. It has stereo source input, two stereo keyboard inputs and two vocal mics. Loading this scene erases any changes you previously made. What is a user-defined scene. The T4S T8S allows the user to easily store, recall and edit performance scenes a snapshot of the complete state of the unit into five user-defined scenes.
User-defined scenes help achieve consistent sound with minimal configuration. After editing a Bose scene to your preference, you may re-save it as a user-defined scene, allowing you to easily recall it later. This greatly reduces the amount of configuration required. What is a shared scene. A shared scene is a single user scene that you can send out of the T4S T8S to a PC when iq option excluir conta the L1 updater software.
This allows you to share the scene with other members of the user community. To obtain software, please go to www. Does the T4S T8S ToneMatch mixer have built-in effects. What are some of the features and applications where they may be used. Below is a list of effects that users may independently assign adjust for any or all channels. The user also enjoys discrete control over designated parameters for each respective channel. Chorus 1 Brite - Shimmering chorus that works well with acoustic instruments.
Includes adjustable mix, depth and speed parameters. Includes adjustable mix, depth and speed parameters and works well with electric guitars and basses. Chorus 3 Dark - Like Chorus 2 but with less high frequencies for a darker tone. Chorus 2 Warm - Like Chorus 1 but with slightly less high frequencies. Includes adjustable mix, depth and speed parameters, and works well with electric guitars and basses.
Flanger 1 Tape - Tape-style flanger with no feedback. Flanger 2 Feedback - Same as Flanger 1 but with preset Feedback effect. Phaser 1 Stomp - Classic stomp box -style phaser. Features a preset wide speed with variable speed and feedback parameters, and works well with electric guitars basses and keyboards. Features a positive mix type with variable speed and feedback parameters, and works well on electric guitars basses and keyboards.
Phaser 3 Warm - Vintage-style phaser. Features a positive mix type with variable speed and feedback parameters, and works well as an effect on electric guitars basses and keyboards. Phaser 4 Bright - Phaser with no bass. Features a positive mix type with variable speed and feedback parameters that works well on electric guitars and keyboards. Tremolo - Vintage-style tremolo effect with variable speed and depth parameters that works well as an effect on guitars and keyboards.
Choose from analog, digital or tape delay. Independently assign adjust the delay settings for desired channels with discrete control over the mix and feedback time parameters for each channel. For example, the user may select a tape delay for the vocal on Channel 1 while selecting an analog delay for the guitar on Channel 2. Phaser 2 Rack - Classic rack -style phaser. Digital delay - Digital delay effect where the repeats remain uncolored. Set your delay time with the center knob or use the tap tempo feature by pressing the center knob at desired tempo.
Analog delay - Classic analog delay effect, where the repeats continuously deteriorate. Tape delay - Vintage-style tape delay effect, where the repeats deteriorate even more than analog delay, and may be used with guitars, horns, harmonica or vocals. Features adjustable mix, time, and feedback parameters, and may be used on guitars, drums or vocals.
Features adjustable mix, time and feedback parameters, and may be used with guitars, drums or vocals. The T4S T8S allows access to a global reverb type that may be applied to both the master output and Aux outputs, or you can select separate reverb types for the master outputs and Aux outputs. The reverb types are plate, small, medium, large and cavern. Control delay time and level of reverb signal sent through master output. Please keep in mind that once you select a global reverb type to be used among any or all channels, you may control the mix and brightness of each channel.
However, the type of reverb may only be altered for all channels. This is achieved through adjusting the Reverb Type mixer mode. Plate - Creates the ambience of a typical studio plate reverb. Small - Creates the ambience of a small-sized space. Features adjustable time and balance ratio of early later reflections parameters and may be used with guitar, horns, percussion instruments and vocals. Medium - Creates the ambience of a medium-sized space. Features adjustable time and balance ratio of early later reflections parameters, and may be used with guitar, horns, percussion instruments and vocals.
Cavern - Creates the ambience of an extremely large space. Large - Creates the ambience of a large-sized space. Compressor 1 Light - Compressor featuring a preset low compression ratio with variable threshold and gain parameters. Dynamics processing. May be used as a general-purpose compression for most instruments and microphones that require minimal level control. Compressor 2 Medium - Compressor featuring a preset moderate compression ratio with variable threshold and gain parameters and may be used with basses, guitars, keyboards, vocals or other instruments requiring subtle level control.
Compressor 3 Heavy - Compressor featuring a preset high compression ratio with variable threshold and gain parameters and may be used with loud instruments such as horns and drums, vocals or other instruments that require more aggressive level control. Noise gate - Adjustable threshold and speed independently assignable for each channel.
Controls extraneous noise from open microphones or hot instrument pickups from being introduced into the system. Limiter - User-adjustable threshold and gain settings are independently assignable for each channel. Prevents input signals from overloading, helping to maintain consistent gain staging. De-esser - User-adjustable threshold and gain settings are independently assignable for each channel. Compression useful in reducing high-end frequencies associated with vocal sibilant sounds.
Kick Gate - The Kick Gate is a Bose proprietary technology that allows you to drive your kick drum to loud levels while avoiding microphone feedback. How to use the Kick Gate technology. Connect an appropriate microphone. It is imperative that you gain stage the microphone correctly. Your hardest kick hits should put the LED clip meter solidly in the yellow, just shy of the red.
Activate the kick gate. Use the default settings initially. Turn the volume of the system up to desired performance level. Play the softest that you will play in the performance. You should clearly hear these kick hits. Playing softly, raise the threshold knob until you hear some of your kick hits get cut off. Back the threshold down 3dB from this point. Play the kick drum as you normally would.
Reduce tightness to add more boom to your sound. Enjoy your kick drum. Can you assign multiple effects to any or all channels. The user may run multiple effects on one channel while simultaneously running a set of completely different effects on each of the other channels. Each effect type has designated user-adjustable parameters, which also may vary from channel to channel. Can I create a sub mix to send to a house PA system or recording device. The Aux outputs on the T4S T8S allow you to send selected input channels to separate mixes by accessing the Aux menu under PAN AUX.
You then can determine if the signal will be Dry after preampPre includes EQ and FX or Post after fader. Does the T4S T8S have amp modeling capability. Distortion must be produced first and then fed into the T4S T8S as a clean, non-clipping signal. To achieve distortion, the guitarist can use a few methods. Inline devices One popular method would be to use any of the effects pedals on the market or use a DSP-based amplifier modeler that models the tone produced by amplifier tubes, guitar transducers and guitar amplifier speaker cabinets Miking a guitar amplifier Another method would be to use a guitar amplifier, and mic the speaker as closely as possible.
The trick here is to run the amplifier at the lowest level at which the correct tone is attainable but does not diminish the benefits of the ToneMatch setting. Louder amplifiers can be located and miked offstage. Miking small, low-watt amplifiers is a better technique for this method Use a loading device Some electric guitarists may prefer to use their amplifier s output as an input signal into the power stand. Before doing this, they must use a load device, such as a Plate Soak or a Hot Plate to give a line-level output suitable for the input stage of the T4S T8S Use the line output of a guitar amplifier Some amplifiers have this option, and it may be suitable for some guitarists.
Refer to the Bose website and Portable PA Community at www. com musicians for more information on interfacing instruments with the ToneMatch mixers. The only suggestion here is to turn the volume of the amplifier down so only the ToneMatch setting is heard. Can I purchase the T4S T8S and use it with other Bose systems. The T4S T8S is available for purchase separately and may be used with an L1 Model 1S II system, S1 Pro or F1 system. When a ToneMatch mixer is connected to one of these systems, ToneMatch processing delivers an optimized experience.
At Bose, we recognize that customers may want to experience Bose portable PA components in their own environment with their specific gear. ToneMatch mixers can also be used with non-Bose PA systems by using analog connections and an external ToneMatch power supply ships only with the T8S model. That is why we offer the ability for you to purchase and use the system in your specific application for up to 45 days.
If for any reason you are not satisfied, you may return it for a refund. This offer is exclusive to Bose direct sales channels. Where can you hear and try the T4S T8S ToneMatch mixer. Order it and try it for 45 days, directly from Bose Corporation. We encourage customers to experience the T4S T8S mixers in their own environment with their specific gear.
That is why we offer the ability for you to purchase and use the system in your specific application for up to 45 days, and if for any reason you are not satisfied, you may return it for a iq option excluir conta. Optionally, you can easily try out the product at participating MI retailers. What is included with the purchase of the T4S T8S ToneMatch mixers. The T4S comes with a magnetic protective cover. The T4S comes also with a ToneMatch cable. T8S comes with both the magnetic protective cover and a universal power supply.
What are the available accessories for the T4S T8S. ToneMatch power supply Comes standard with the T8S mixer, optional for the T4S mixer when used without an L1 Model 1S or L1 Model II system. Carrying case A hard-shell briefcase with handle and available storage for cables for the T4S T8S mixers. What is the 45-day Better Music Guarantee.
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About the boxes. Our contactless donation boxes are perfect for whatever way you are collecting whether it s out at a fundraising event, on the counter at a charity shop or by the entrance to a museum or church. Starting at just 24. 95 VAT per box per month with no set-up fees at all. A safe and secure device for your charity. Your charity s own branding and messaging Set various amounts from 3 to 30 Enable donors to increase the donation amount Collect without having to connect to a separate mobile phone, app or Wi-Fi network Collect donations even if there is no mobile signal.
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From cash to contactless. Why now is the time for charities to change the way they fundraise and take donations. If you want to know any more about getting set up for contactless donations, please get in touch today. Call 01525 306 800. To process your enquiry we will pass your details on to our partner Liberty Pay.
Brought to you by. Earnest Labs 2020. Read our policy. As people continue to favour card payments over cash, it s time for charities to change the way they accept donations. An identification strategy that includes multiple assessments both objective and subjective is the best way to ensure no gifted learner is overlooked. Tests Assessments.
Tests often exclude underserved gifted students who are English Language Learners ELLsdisabled, or from minority or low-income backgrounds. Testing provides an objective and systematic way for identifying gifted children. Tests are common assessment tools for identification, but should not serve as the sole source of identification. Ability and achievement tests provide numbers or scores to describe a student s performance in relation to others.
Tests are often used as benchmark requirements for entrance into specific programs or if a discrepancy in learning is suspected. However, formal assessments are only one tool in determining giftedness. Tests should be used in conjuction with subjective assessment tools. Types of Tests. Tests should be aligned within the characteristics of gifted and talented students within a specific domain area.
The variety of characteristics within the federal definition intellectual, creative, artistic, leadership, and specific academic fields require more than one assessment to identify. Quantitative instruments such as those listed below use scores to describe the student s performance in relation to others or the degree to which a student possesses a particular characteristic in relation to a standard level of performance. Achievement Tests. Math or Language Arts or standardized tests such as SATs, ITBS, SRA, and MATs.
Achievement tests determine what the students already have learned and if they are more advanced than their grade level peers. They may be academic specific i. These assessments should not have a ceiling so students are able to show all of what they know. Tests specifically designed for the gifted population include Test of Mathematical Abilities for Gifted Students or Screening Assessment for Gifted Elementary Students SAGES. Ability Tests. While these tests provide information for the intellectual domain, these tests are not as helpful in identifying someone with creative, leadership, or other abilities.
Intelligence quotient IQ or cognitive abilities test scores are also used to identify gifted and talented students. Typical ability tests include. Stanford Binet L-M Wescher Intelligence Scale for Children, 4th Edition. Read NAGC s position papesr Use of the WISC-V in Gifted Education and the WISC-IV. Woodcock Johnson. Nonverbal tests, such as the Naglieri Nonverbal Ability Test o r the Test of Nonverbal Intelligencemay be more effective for students from culturally and linguistically different or low-income backgrounds to eliminate barriers.
Who Should Test. Testing is often used as a measurement tool to qualify for a specific program or when it is suspected that a student s gifts and talents are not being recognized. CogAT Otis-Lennon Hemmon-Nelson Ravens Progressive Matrices Matrix Analogies Test. School-age children are typically tested using group testing methods through their school s gifted and talented screening program. It is rare that any individual test of ability or achievement will be offered to gifted students by their school or district.
Tests should always be administered by trained professionals. When to Test. While experts have differing opinions on whether to test young children, researchers generally agree that it is difficult to make accurate IQ determinations at an early age under 6. For younger children, alternative measures of giftedness include characteristic checklists, parent teacher surveys and interviews, observations, and portfolios. Read more on young gifted children. How to Interpret Test Scores.
Assessments should be current recent norms and non-biased. Tests provide a variety of scores, including raw scores, percentile ranks, grade-equivalent scores, and standard scores. They should relate to the area of giftedness, a specific program option, or the identification of gifted and talented students. Test norms should reflect the local demographic, not only national norms important for districts with a greater number of individuals from minority or ethnic groups.
In some cases, it is important to review subscores, as twice-exceptional students can be overlooked if only using a general score. Learn more on twice-exceptional students. Results Now What. Assessments provide data points, but do not automatically guarantee placement in gifted programs. The majority of states do not require local education agencies to follow the same identification process, so program criteria is left to the district or individual school.
Parents and administrators should work together in a positive and collaborative spirit to use test data as one of several measures for develop an appropriate educational strategy for gifted students.
Coments:08.04.2020 : 01:55 Goran:
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07.04.2020 : 12:45 Kelkis:
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05.04.2020 : 13:47 Tukree:
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